Camel

We can be absolutely certain that Reverend Howard Finster hailed from parts unknown, even if those parts resemble rural southern U.S.A. The mystery surrounding him expands with each piece of art, signed “Howard Finster from God” or “Howard Finster Man of Visions” or “Howard Finster World’s Minister Of Folk Art Church Inc,” among other outlandish and intriguing things. The spectacle of accumulation is as powerful as the sheer otherness of Finster’s vision, which exists solely to transmit the word of God as Finster hears and sees it, and is frequented by a cast of characters such as Presidents Washington and Eisenhower, Henry Ford, Coca-Cola, Satan and, of course, Elvis Presley. His work has its own tractor-enamel shine, it’s own lingua franca that expresses a depth of belief most of us sinners are plain unaware of, a belief filled with great joy and equal gravity. Whether or not the work touches us, we can also be absolutely certain that Reverend Howard Finster holds devout belief in the word of God as communicated through the work of Howard Finster, and that belief—however foreign it may feel—is worth seeing.—Damien James, New Art City, 2010

My Way: African American Art from the Black South

My Way: African American Art from the Black South

DATES / 
10/8
1/23/2022
CATEGORY / Multi-Media, Painting, Sculpture
Gerda Meyer Bernstein: Exercise in Futility

Gerda Meyer Bernstein: Exercise in Futility

DATES / 
7/15
11/28/2021
CATEGORY / Sculpture